Holy Fuck

Young Turks, part of the Beggars Group of labels, is pleased to announce the signing of Toronto’s electro-indie band Holy Fuck. The label plans on releasing the band’s new album, LP, on October 23rd.

A little over three years ago, Graham Walsh and Brian Borcherdt started Holy Fuck, a chaotic live celebration of lo-fi noise and weirdo casio-driven rock. With a rotating rhythm section consisting of some close friends and multi-talented players they were described as “Toronto’s evil super group”.

Without rehearsing or arranging parts prior to hitting the stage, Holy Fuck wrote the songs from their album, LP, live on tour. Each time they’d return from tour they’d check into a studio and cathartically capture the energy of the live show, recording the songs that had now taken shape. The only problem was they had too much material. A couple of unfortunate computer hard drive crashes later a good chunk of the material was lost. Maybe this was a good thing as it brought to light recording sessions that would have been otherwise overlooked, like the live satellite radio recording on Verge XM, or “Super Inuit”, taken from a live recording made while on tour with !!!.

Drawing from different recording sessions, even with different members, the new album maintains a unique feel from song to song. While the material was recorded for the most part in a studio environment, Holy Fuck recorded it live, as if on stage. Therefore the songs still breathe a live frenetic energy. The final sheen of the studio feel may come largely from the mixing hands of both Eli Janney (Girls Against Boys) and Dave Newfeld (Broken Social Scene).

Holy Fuck’s well-known live show has become a force to be reckoned with. One of their first shows was at Pop Montreal where New York based MC, and ex-Antipop Consortium member Beans was so impressed with their unique take on ‘electronic’ music that he invited them to Coachella as his backing band.

Now only a few years later they have become a heavy hitting live act, with a devoted audience consisting of cultish fans and new comers drawn by their reputation. They’ve toured with Do Make Say Think, !!!, Clinic, Wolf Parade, Cornelius, Metric, and Mouse on Mars. They’ve also made appearances at world renowned festivals like Vegoose, All Tomorrow’s Parties, Montreal Jazz, SXSW, and CMJ.

Their reputation as a must–see live act gained them a slot on this year’s John Peel stage at Glastonbury. This performance ended up being hailed as on of the top three performances of Glastonbury by NME.

A Place To Bury Strangers

A Place To Bury Strangers have often been called “the loudest band in New York”. This may very well be the case, but unlike much so-called “loud” rock and roll that’s out there, APTBS is not loud simply for the sake of it. The sonically overdriven sound they’ve accomplished is no clumsy accident, but a carefully cultivated and well-maintained entity all its own, fostered by an unbridled passion that’s clearly evident in every live show they play and each recording they make. A Place To Bury Strangers does not so much play songs as allow them to pour out. They are songs about longing, heartbreak and confusion played extremely well and at a passionately loud volume.

While there are obvious reference points: Pornography-era Cure, early Ride, My Bloody Valentine, and pre-1990s Jesus and Mary Chain, the sound is all their own, in part due to singer/guitarist Oliver Ackermann’s day job of building custom guitar pedals (see deathbyaudio.net). Coupled with the solid bass of Jono Mofo and the relentless drumming of Jay Space, the APTBS team is a force to reckon with.

Since forming in 2004, A Place to Bury Strangers had been developing its stellar live reputation in New York City by its constant bombardment of shows. In early April of 2007 the band was rewarded with the opportunity to open for one of their major influences, the Jesus & Mary Chain at Webster Hall. This was quickly followed by another high profile opening slot for the Brian Jonestown Massacre at same venue.

Following the release of their self titled debut album in August of 2007 on Killer Pimp Records, the band accrued rave reviews in a numerous publications including a Best New Music and an 8.4 rating in Pitchfork. The album wound up being one of the top 20 best reviewed records of 2007 according to Metacritic and won Rock album of the year on Tunecore.

The band then rocketed into public consciousness in 2008. Highlights include a full US/Canadian tour with Holy F**k in February/March and being THE band to see at SXSW. This was followed in May by their first full European/UK which culminated in a legendary appearance at the Primavera Festival in Barcelona. That summer the band were handpicked by Trent Reznor to support Nine Inch Nails on an arena tour of the US and appeared at the Oya Festival where they got to play with another of their heroes, the recently reunited My Bloody Valentine. The band spent that fall on another US tour, this time as headliners, followed by a full European tour supporting MGMT in November that culminated in a triumphant sold-out headlining performance at London’s ICA in December.

There is no doubt that 2009 will be A Place to Bury Strangers best year yet. The band has recently signed a world wide deal with Mute Records and are currently at work on their second album. They’ve also recently been confirmed to perform at Coachella in April, which will be preceded by another headlining UK/European tour.

Doors open 8:30 pm - 18 +